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Taylor Swift – 1989
A lot of the buzz leading up to Taylor Swift’s fifth album, 1989, surrounded her claim that it was a final big leap from country to pop. In reality, this sounds like a more dramatic shift than it is, since she already made that jump with her last record, Red, which forwent the usual twang for dabbles in indie pop, stadium rock and dubstep drops. The difference here, then, is more in tone. While Red was warm and playful, with a few country-lite ballads to fill in the gaps between the big singles, 1989 is all steely surfaces and icy beats, a modern pop record through and through, where feel and mood sometimes trump song. Normally, this would be a significant, even fatal, error judgement for an artist like Swift, who made her name on charming earnestness and an endearing clumsiness and relatability. There needs to be a…
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